PRIMA album cover by ADÉLA

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2026 · From the album PRIMA

Nicole Kidman

by ADÉLA

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03:01 Runtime

The reading

A pop-star fantasy anthem that treats fame, sex appeal and self-belief as a performance the singer stages nightly in front of the mirror before the car pulls up

02 · Interpretation

ADÉLA's 'Nicole Kidman': Pop Stardom as Costume and Corset

E Editorial Desk

The song is essentially a getting-ready ritual set to music. Everything happens in the loop between a mirror, a corset and a waiting car, and ADÉLA uses that small domestic drama to stage something much larger: the daily manufacture of a pop star.

The hook makes the reference plain. "I feel like Nicole" is tied to Moulin Rouge and a tight corset, invoking Kidman's turn as Satine, the cabaret performer who lives and dies by her ability to command a room. ADÉLA is not comparing herself to Kidman the actress so much as borrowing the character's silhouette: the boned bodice, the red-velvet theatricality, the woman who is watched. The prayer that her "tits are sittin' right" turns that image into a running joke about the labour behind the glamour. Being an icon, the song suggests, is mostly logistics.

The verses stretch that idea into a day-in-the-life. She wakes up and the "world is my buffet"; she flies out and wrecks another stage. The bragging is deliberately cartoonish, more Barbie montage than diary. When she spends hours in her room debating Louboutins versus Jimmy Choos and trying them on "fully nude," the scene is both a flex and a small confession that the performance starts long before any audience sees it. The line about her bra needing a bigger size, followed by the aside that maybe that is why men cannot meet her eyes, lands as a wink; she is aware of how she is being looked at and has decided to find it funny.

The pre-chorus is where the fantasy tips into full paparazzi choreography. She pulls up, steps out, tells fans to get their pictures because she will not stay long, throws a quick hi and is gone. "Live vicariously through me, write my life like it's a movie" is the thesis statement of the whole track. She is offering herself as a screen for other people's daydreams, which is exactly what a pop star, or a movie star like Kidman, is paid to be.

The bridge sharpens the tone. "Don't interrupt me when I talk my shit" is delivered as pop-star gospel, and the follow-up, that what you say dictates your destiny, gives the swagger a self-help twist without quite becoming a slogan. The punchline, "Pop Princess" on the license plate, is a small piece of world-building: she has already had the title custom-printed, so arguing with it is pointless. The song's confidence is written down in DMV records.

Fantasy as a working method

What keeps "Nicole Kidman" from collapsing into pure brag-rap is the winking self-awareness threaded through it. The mirror scene, the corset prayer, the driver waiting outside: ADÉLA keeps showing the scaffolding of stardom while performing it. The outro strips the arrangement back to a whispered mantra, "Tonight, I'm so in control, I feel like Nicole," which reframes the whole song as an incantation. The confidence is not a state she is in; it is a state she is talking herself into, one shoe change at a time.

The track sits comfortably inside a mid-2020s pop moment that has embraced maximalist femininity, from Sabrina Carpenter's stiletto humour to Chappell Roan's drag-inflected persona work. ADÉLA's contribution is to name a specific film-star archetype rather than a general aesthetic. Kidman, especially in her Moulin Rouge register, stands for a very particular kind of glamour: staged, corseted, doomed-but-fabulous. Borrowing her name lets ADÉLA plant a flag in that lineage without having to earn it through decades of work; the song assumes the mantle and dares you to argue.

Whether "Nicole Kidman" endures probably depends on how it functions outside the album. As a getting-ready song, a mirror song, a walking-into-the-club song, it is built for reuse. Its central move, treating self-belief as a costume you put on rather than a feeling you wait for, is small but portable, and that is usually what keeps a pop track alive.

03 · Lyrics

"Nicole Kidman"

Ooh, ooh, whoa

'Body with me (ooh, hey), yeah, yeah

Oh, you're so good

Ooh, ooh

Every single night

I pray that my tits are sittin' right

Moulin Rouge, my corset is so tight

Babygirl in control, I feel like Nicole

And every single day (ah-ah)

I wake up, the world is my buffet (ah-ah, ah-ah)

I fly out, fuck up another stage (ah-ah)

Babygirl in control, I feel like Nicole

I feel like

Ooh, spend a couple hours in my room

Should I wear Louboutins or Jimmy Choos?

Try 'em in the mirror, fully nude

Like, ooh-ooh, ooh-ooh, ooh (ooh)

My bra should probably be a bigger size

Maybe that's why they can't look me in my eyes (they're up here)

Been a minute since the driver's been outside

I gotta slide, slide

I pull up (uh-huh), step out (uh-huh)

Get your pictures 'cause I'm not gonna stay for long

I'll say, "Hi" (I'm gone), bye-bye

Live vicariously through me, write my life like it's a movie, like

Every single night

I pray that my tits are sittin' right

Moulin' Rouge, my corset is so tight

Babygirl in control, I feel like Nicole (ah-ah)

And every single day (ah-ah)

I wake up, the world is my buffet (ah-ah, ah-ah)

I fly out, fuck up another stage (ah-ah;, Ah)

Babygirl in control, I feel like Nicole

I feel like

Don't (don't, don't) interrupt me

When I talk my shit, don't interrupt me

'Cause everything you say it dictates your destiny (uh-ah)

That's why I put "Pop Princess" on my license plate (ah)

I pull up (uh-huh), step out (uh-huh)

Get your pictures 'cause I'm not gonna stay for long

I'll say, "Hi" (I'm gone), bye-bye

Live vicariously through me, write my life like it's a movie, like

Every single night (ah-ah)

I pray that my tits are sittin' right (ah-ah, ah-ah)

Moulin Rouge, my corset is so tight (ah-ah)

Babygirl in control, I feel like Nicole (I feel like Nicole)

And every single day (ah-ah)

I wake up, the world is my buffet (ah-ah, ah-ah)

I fly out, fuck up another stage (ah-ah)

Babygirl in control, I feel like Nicole

I feel like

Tonight (tonight)

I'm so in control (I'm so in)

Tonight (tonight)

I feel like Nicole

Lyrics via Google. Copyright belongs to rights holders.

04 · FAQ

Frequently asked

What does 'I feel like Nicole' mean in ADÉLA's 'Nicole Kidman'?
It refers to Nicole Kidman, specifically her Moulin Rouge role as the corseted cabaret star Satine. ADÉLA uses the name as shorthand for a very staged, theatrical kind of glamour, so 'feeling like Nicole' means feeling watched, in costume and fully in command of the room.
Is ADÉLA's 'Nicole Kidman' actually about Nicole Kidman?
Not really. Kidman is invoked as an archetype rather than a subject. The Moulin Rouge and corset references borrow the actress's most iconic image, but the song is about ADÉLA's own pop-star fantasy, using Kidman as a costume rather than writing her a tribute.
What is the 'Pop Princess' license plate line in 'Nicole Kidman' about?
It is a punchline about self-appointed status. By claiming she put 'Pop Princess' on her license plate, ADÉLA turns the title into a piece of paperwork, framed by the bridge's idea that what you say out loud 'dictates your destiny.' The confidence is treated as something you register, not something you wait to be given.
Why does ADÉLA sing about praying her tits are 'sittin' right'?
The line grounds the fantasy in the physical work of getting dressed. It is half joke, half ritual, showing the corset, the mirror and the anxiety behind the glamour. It also sets the song's tone: self-aware, funny about sex appeal, and unbothered by being unladylike about it.
What genre is 'Nicole Kidman' by ADÉLA and how does it fit into the PRIMA album?
It sits in the maximalist mainstream pop lane, closer to a strutting, mirror-ready anthem than a ballad. On PRIMA, released in September 2026, it functions as one of the album's clearest statements of persona, doubling as a mission statement for the pop-star image ADÉLA is building.
What does 'live vicariously through me, write my life like it's a movie' mean?
It is the song's thesis. ADÉLA is openly offering herself as a screen for the listener's fantasies, which is exactly the transaction a pop or film star makes with an audience. The line acknowledges that celebrity is a shared fiction and volunteers to be its main character.
How does 'Nicole Kidman' compare to other 2020s pop songs about femininity and fame?
It shares DNA with the winking, hyper-feminine pop of artists like Sabrina Carpenter and Chappell Roan, where stilettos and self-aware sex appeal do a lot of the storytelling. ADÉLA's twist is naming a specific movie-star reference point rather than a general aesthetic, anchoring the fantasy in Kidman's Moulin Rouge silhouette.

05 · Discography

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