DAMN. album cover by Kendrick Lamar

30-sec preview

2017 · From the album DAMN.

PRIDE.

by Kendrick Lamar

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04:35 Runtime
Hip Hop Genre

The reading

A halting confession from someone who knows pride is corroding his ability to love, sketching a perfect world he cannot quite reach

02 · Interpretation

The Imperfect Confession of Kendrick Lamar's PRIDE.

E Editorial Desk

Tucked between the bravado of DNA. and the sermon of HUMBLE., PRIDE. is the soft, slurred middle of DAMN. where Kendrick Lamar lets his guard slip without quite dropping it. Steve Lacy's looped, detuned guitar gives the track the feel of a thought half-remembered, and Lamar matches it with a vocal performance that hovers rather than asserts. If HUMBLE. is the lesson, PRIDE. is the diagnosis.

The opening warning, delivered in a pitched-up coo, sets the stakes plainly: love might get you killed, but pride is the slower, more certain death. The repeated "you and me" turns the moral outward; the song is going to be about a shared failure, not a private one.

Care without sharing

Lamar then states the contradiction the whole song circles: he was taught to care but not to share. It is a useful distinction. Caring can be solitary, even proud, an internal posture that costs nothing. Sharing requires exposure. The line "in another life, I surely was there" hints at a better version of himself that exists somewhere just out of reach, a recurring move on DAMN., where alternate selves and alternate worlds keep shadowing the real one.

The first proper verse stacks binary questions: flesh or spirit, happiness or flashiness, loving people or dissecting them. He does not answer. Instead he admits, plainly, that he does not trust people past the surface and puts his faith in his lyrics rather than in any man. It is a striking confession from an artist often cast as a moral conscience. He is saying the pulpit is also a hiding place.

The cold thumb

The second verse drops the philosophy and turns interpersonal. He warns someone, maybe a partner, maybe a friend, that he might put them down this time, that his feelings could go numb, that they are dealing with a "cold thumb." The image is small and exact: a thumb that does not text back, does not press send. Against that coldness he claims he would give up a limb to show empathy, which is the kind of grand offer people make when the small, daily gestures are beyond them. The refusal to "fake humble" because someone else is insecure lands as both honest and a little self-justifying, which is the song's whole register.

The bridge, with its ghostly "we saw you first / I saw you first" answer-vocals, plays like pride itself talking back, the petty inner voice that keeps score on who noticed whom.

A perfect world that never arrives

The third verse is where the song reaches for something larger. Lamar imagines a self that would not be insensitive, would not blame others for his own mistakes, would not point fingers just to score points. The "cold as December, but never remember what winter did" line catches the way grudges outlive their reasons. He widens the frame: race barriers, broken promises, resentment, "sick venom in men and women overcome with pride." Then comes the closest thing to a creed on the song, a hypothetical in which he would choose faith over riches, build schools out of prisons, and fold every religion into one service simply to remind everyone they are nothing and God has been perfect.

It is a grand wish, and Lamar is careful to keep it conditional. The whole verse lives inside "in a perfect world." He never claims he is doing any of it.

Why it lasts

PRIDE. is not the loudest track on DAMN. and was never going to be. Its endurance is in how unfinished it sounds. The vocal is woozy, the hook is a shrug ("I care, I care"), and the resolution never comes. In an album obsessed with paired opposites, weakness and wickedness, love and lust, humility and pride, this song is the one where Lamar admits the categories collapse inside a single person. The pride he is naming is his own, and he is not sure he can put it down.

That refusal to perform the breakthrough is what keeps the song from aging into a slogan. It stays a confession, which is harder to outgrow than a lesson.

03 · Lyrics

"PRIDE."

Love's gonna get you killed

But pride's gonna be the death of you, and you and me

And you, and you, and you and me

And you, and you, and you and me

And you, and you, and-

Me, I wasn't taught to share, but care

In another life, I surely was there

Me, I wasn't taught to share, but care

I care, I care

Hell-raising, wheel-chasing, new worldly possessions

Flesh-making, spirit-breaking, which one would you lessen?

The better part, the human heart, you love 'em or dissect 'em

Happiness or flashiness? How do you serve the question?

See, in the perfect world, I would be perfect, world

I don't trust people enough beyond their surface, world

I don't love people enough to put my faith in man

I put my faith in these lyrics, hoping I make a band

I understand I ain't perfect, I probably won't come around

This time, I might put you down

Last time, I ain't give a f-, I still feel the same now

My feelings might go numb

You're dealing with cold thumb

I'm willing to give up a leg and arm to show empathy from

Pity parties and functions of you and yours

A perfect world, you probably live another 24

I can't fake humble just 'cause your a- is insecure

I can't fake humble just 'cause your a- is insecure

Me, I wasn't taught to share, but care

In another life, I surely was there

Me, I wasn't taught to share, but care

I care, I care

Maybe I wasn't there (we saw you first)

Maybe I wasn't there (I saw you first)

Maybe I wasn't there (I saw you first)

Maybe I wasn't there

Now, in a perfect world, I probably won't be insensitive

Cold as December, but never remember what winter did

I wouldn't blame you for mistakes I made or the bed I laid

Seems like I point the finger just to make a point, nowadays

Smiles and cold stares, the temperature goes there

Indigenous disposition, feel like we belong here

I know the walls, they can listen, I wish they could talk back

The hurt becomes repetition, the love almost lost that

Sick venom in men and women overcome with pride

A perfect world is never perfect, only filled with lies

Promises are broken and more resentment come alive

Race barriers make inferior of you and I

See, in a perfect world, I'll choose faith over riches

I'll choose work over b-, I'll make schools out of prison

I'll take all the religions and put 'em all in one service

Just to tell 'em we ain't sh-, but He's been perfect, world

Me, I wasn't taught to share, but care

In another life, I surely was there

Me, I wasn't taught to share, but care

I care, I care

Maybe I wasn't there (we saw you first)

Maybe I wasn't there (I saw you first)

Maybe I wasn't there (I saw you first)

Maybe I wasn't there

Lyrics via Google. Copyright belongs to rights holders.

04 · FAQ

Frequently asked

What does 'I wasn't taught to share, but care' mean in PRIDE.?
It draws a line between an inward kind of concern and the outward act of giving yourself away. Lamar is saying he can feel for people without actually letting them in, which is the exact form pride takes in the song: caring at a distance so you never have to risk being known.
Who is Kendrick Lamar talking to in the second verse of PRIDE.?
The verse reads like a warning to someone close, possibly a partner, that his feelings might go numb and that they are dealing with a 'cold thumb.' He never names them, which lets the address double as a confession to himself about how he withdraws from intimacy.
How does PRIDE. fit with HUMBLE. on the DAMN. album?
The two songs sit back to back as deliberate opposites. PRIDE. is hazy, conditional, and self-questioning, while HUMBLE. is blunt and commanding. Hearing them in sequence reframes HUMBLE.'s swagger as the loud answer to a quieter problem PRIDE. has just laid out.
What is the 'perfect world' Kendrick keeps mentioning in PRIDE.?
It is a hypothetical Lamar uses to imagine the person he is not yet: someone who trusts people, chooses faith over riches, builds schools out of prisons, and merges every religion into one service. By keeping it conditional, he signals that he sees the ideal clearly but does not claim to be living it.
Why does Kendrick sound so slurred and off-key on PRIDE.?
Producer Steve Lacy's woozy, slightly detuned guitar loop sets the mood, and Lamar leans into it with a soft, almost half-asleep delivery. The unsteady vocal suits a song about uncertainty; a crisper performance would have turned a confession into a lecture.
What does 'I put my faith in these lyrics, hoping I make a band' mean?
It is Lamar admitting that he trusts his art more than he trusts people. The line is a quiet critique of his own retreat into craft, suggesting that putting faith in lyrics, however productive, is also a way of avoiding the harder faith of relying on other human beings.
Is PRIDE. a religious song?
Religion threads through it without dominating it. The closing image of folding all religions into one service to acknowledge human smallness before God connects PRIDE. to DAMN.'s broader wrestling with sin and grace, but the song's main subject is interpersonal pride, not doctrine.
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